
White Tower
The White Tower is the emblem of Thessaloniki — a 34-metre cylindrical bastion on the waterfront that now holds a museum of the city's history across its spiralling six floors.

35 Roman monuments, Byzantine churches, towers, and museums across Thessaloniki — from the 4th-century Rotunda to the Ottoman upper town, almost all of it walkable.
Thessaloniki wears 2,300 years in layers — Roman monuments, Byzantine churches and Ottoman remnants, almost all within a 20-minute walk of the centre. Fifteen of its Paleochristian and Byzantine monuments are jointly inscribed on the UNESCO World Heritage list (1988), the largest concentration of Byzantine World Heritage sites in any Greek city. First time here? Start with these three.
A 1,700-year-old Roman dome lined with gold mosaics — the one sight no first visit should skip.
Don't missThe city's emblem on the seafront, with a spiral museum and rooftop views over the gulf.
Don't missThe vast basilica of the city's patron saint, built over the Roman baths where he was martyred.
Tickets: a €15 combined ticket (valid 3 days) covers the White Tower, the Rotunda, the Archaeological Museum and the Museum of Byzantine Culture. State sites and museums are also free on a few days a year — every first Sunday from November to March, plus 6 March, 18 April, 18 May, and the last weekend of September.
The White Tower, the Byzantine land and sea walls, and the hilltop Heptapyrgion — the defences that ringed Thessaloniki for sixteen centuries.

The White Tower is the emblem of Thessaloniki — a 34-metre cylindrical bastion on the waterfront that now holds a museum of the city's history across its spiralling six floors.

Long stretches of the city's late-Roman and Byzantine fortifications still stand, climbing the hillside around Ano Poli and offering some of the finest views in Thessaloniki.

The 'Fortress of Seven Towers' crowns the acropolis of Thessaloniki, a walled citadel that guarded the city's highest ground and later spent over a century as its most feared prison.

A massive artillery tower at the corner of the city walls, the Trigonion is the classic viewpoint over Thessaloniki's rooftops and the sweep of the Thermaic Gulf.
The emperor Galerius left his mark across the city: a triumphal arch, a domed rotunda, a sprawling palace, and the forum at its heart.

A colossal Roman domed rotunda from around 306 AD, later a church and a mosque, whose interior preserves some of the most important early-Christian mosaics in the world.

Known to everyone simply as 'Kamara', this triumphal arch from around 298–303 AD is the natural meeting point of the city, its piers carved with reliefs of Galerius's victory over the Persians.

The administrative heart of Roman Thessaloniki, an excavated two-level forum with a restored theatre-stadium (odeon), porticoes, and an underground cryptoporticus.

The excavated remains of the emperor Galerius's palace lie open in the middle of lively Navarinou Square, including an octagonal throne hall and mosaic floors.
Thessaloniki's UNESCO-listed churches trace the whole arc of Byzantine architecture, their walls lined with gold-ground mosaics and frescoes.

The five-aisled basilica of Saint Demetrius, patron of Thessaloniki, built over the Roman baths where he was martyred and home to rare 7th-century mosaics and an atmospheric crypt.

A squat, powerful 8th-century domed church modelled on its namesake in Constantinople, with a luminous mosaic of the Ascension in the dome.

One of the oldest churches in the city still in continuous use — a 5th-century early-Christian basilica with elegant columns and fine mosaic fragments.

A small 14th-century church in the upper town whose interior is covered, almost wall to wall, with exceptionally well-preserved Palaiologan frescoes.

The only Byzantine monastery in the city still active, set in gardens high in the upper town with a small church, peacocks, and a commanding view of the gulf.

A tiny chapel in the lanes of Ano Poli that holds one of the most important early-Christian mosaics in the world — a UNESCO-listed treasure most visitors walk straight past.

An elegant all-brick cross-in-square church of 1028, nicknamed the 'Red Church' for its warm terracotta masonry, sunk in a small garden beside the Roman Forum in the heart of the city.

A jewel-box five-domed church of the early 1300s, famous for some of the most dazzling decorative brickwork in the Byzantine world and for the Palaiologan mosaics and frescoes preserved inside — a UNESCO monument many visitors walk straight past.

One of the most graceful of the city's Byzantine churches — a five-domed Palaiologan jewel wrapped in a columned portico and bands of fine brickwork, tucked into the northwestern lanes of Ano Poli. A UNESCO monument most visitors never reach.

A well-proportioned Palaiologan church with a central dome and a wraparound ambulatory, set in a planted courtyard just steps from the Rotunda and the Arch of Galerius — the easiest of the UNESCO Byzantine churches to fold into a city-centre walk.

A grand mid-14th-century church and the only one in Thessaloniki built on the Athonite plan used by the monasteries of Mount Athos — a tall central dome over a sweeping arcaded portico. A UNESCO monument on the slope below Ano Poli.
Five centuries of Ottoman rule left hammams, covered markets, and mosques scattered through the modern city.

The pink three-storey house where Mustafa Kemal Atatürk, founder of modern Turkey, was born in 1881 — now a museum furnished in period style.

A lead-domed Ottoman covered market from the late 1400s — six brick-vaulted bays that still trade today, lined with little shops of fabric, trimmings and jewellery in the commercial heart of the city. One of the few working Ottoman commercial buildings left in Thessaloniki.
World-class collections of Macedonian gold and Byzantine art, a short walk from the seafront.

The leading museum of Macedonian antiquity, famous for its Hellenistic gold — including the dazzling Derveni Krater and the Derveni papyrus, the oldest surviving European manuscript.

An award-winning museum tracing Byzantine and post-Byzantine life through mosaics, icons, frescoes, jewellery, and everyday objects, set in a calm modern building.

A small but moving museum telling the story of the Sephardic community that made Thessaloniki one of the only majority-Jewish cities in the world for four centuries — until its near-total destruction in the Holocaust.

A compact military-history museum in a restored early-1900s army building, tracing Greece's modern wars through uniforms, weapons, war art, maps and photographs — with an outdoor forecourt of tanks and a fighter jet. Its focus fits the city perfectly: Thessaloniki was the great Allied base of the First World War's Macedonian Front.
The lived-in heart of the city — the Ottoman upper town, the marble square on the sea, and the warehouse district turned nightlife quarter.

The only part of Thessaloniki to survive the great fire of 1917, Ano Poli is a maze of timber Ottoman houses, tiny chapels, and cobbled lanes climbing to the castle walls and the best views in the city.

The grand civic square of Thessaloniki, opening straight onto the waterfront — a sweep of arcaded, monumental architecture that is the city's living room.

A pocket of colourful 19th-century warehouses near the port — once the olive-oil market, now the city's most concentrated cluster of tavernas, mezedopoleia, and bars.

The city's historic covered food market, reborn in 2022 as a buzzing gourmet hall under a restored glass roof — meze bars, tavernas, delis and grocers all under one elegant 1920s arcade.

The oldest market in Thessaloniki — a warren of covered lanes and open stalls heaped with produce, fish, meat, olives, cheese and spices. Loud, cheap and thoroughly local, Kapani (officially Vlali) is the working food market next door to the gentrified Modiano.
The modern icons of the New Waterfront — George Zongolopoulos's soaring Umbrellas and the great equestrian Alexander the Great — and the city's favourite spots to catch the sunset.

A cluster of steel umbrellas striding up out of the boardwalk into the sky — George Zongolopoulos's 1997 sculpture is the emblem of Thessaloniki's redesigned New Waterfront and the city's single most photographed modern landmark, especially at sunset.

A monumental bronze of Alexander the Great astride his horse Bucephalus, sword drawn, on the seafront — at six metres (and far taller on its plinth) it is one of the largest equestrian statues in Greece, flanked by his sarissas (spears) and a row of shields.

Thessaloniki's 76-metre landmark tower at the international fairgrounds, crowned by a revolving café-bar that turns a full circle roughly once an hour for 360° views over the city, the seafront and the Thermaic Gulf. Picked out in colour after dark, its tiered silhouette is one of the modern skyline's most recognisable shapes.
Centuries of bathing culture in brick and stone — a rare surviving Byzantine bathhouse and a grand Ottoman hammam, both still standing in the old town.

The oldest and grandest Ottoman bathhouse in Greece, built in 1444, with domed chambers, marble basins, and traces of painted decoration.

A rare survivor — the only Byzantine bathhouse still standing in Greece, a small brick-and-stone building in Ano Poli that stayed in use as a public bath for some seven centuries. One of the city's UNESCO-listed Byzantine monuments.
Combine the landmarks with the city's food scene and a day trip or two — Meteora, Vergina, or the beaches of Halkidiki.